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The Challenge

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How might we restore vibrancy in cities and regions facing economic decline? Read the challenge brief

Inspiration

Mission #1 Explore Vibrancy Find out more...

Power of public art

In one of the the largest concentrations of commissioned murals, Wynwood, Miami was transformed into an outdoor museum, turning a series of parking lots, loading docks, and drab rundown factory buildings into canvases.
The Wynwood Walls was conceived by the renowned community revitalizor and placemaker Tony Goldman in 2009. He was looking for something big to transform the warehouse district of Wynwood, and he arrived at a simple idea: "Wynwood's large stock of warehouse buildings, all with no windows, would be my giant canvases to bring to them the greatest street art ever seen in one place." Starting with the 25th–26th Street complex of six separate buildings, his goal was to create a center where people could gravitate to and explore, and to develop the area's pedestrian potential.

HERE COMES THE NEIGHBORHOOD is a Short-Form Docuseries exploring the power of Public Art and innovation to uplift and revitalize urban communities. The Pilot Season revolves around the Arts District of Wynwood Miami, featuring an array of internationally acclaimed and locally respected Street Artists, Graffiti Writers and Muralists.
Mission #1 Explore Vibrancy Find out more...

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November 23, 2011, 09:15PM
Great stuff, Jenny! Would be interesting to know how this vibrant initiative was funded. And as we approach the Concepting phase – will be great for folks to think about innovative ways of funding public art, etc – maybe even using P2P funding avenues like Kickstarter http://www.kickstarter.com/ ?
Sarah Fathallah's reply to Meena Kadri's comment
November 29, 2011, 10:27AM
This is a focal point in my opinion, thanks for bringing it up. I've always wondered how street exhibitions/art performances were funded (esp. when they don't look like they were backed by the City Hall or some public entity...).
Amy Benziger's reply to Meena Kadri's comment
December 28, 2011, 05:33AM
There's an incredible new initiative called ArtPlace that launched this year as a consortium of foundations, corporates and federal agencies giving over 20 million in grants and loans to artists and groups hoping to use art as a tool of economic recovery and "creative placemaking."Check out the article in the Times: http://www.nytimes.com/2011/09/15/arts/new-consortium-finances-arts-projects-to-aid-recovery.html?_r=3&scp=1&sq=Intersection%20for%20the%20Arts&st=cse
Johan Löfström's reply to Meena Kadri's comment
December 28, 2011, 11:06AM
street art events and some graffiti artists are sometimes sponsored by the manufacturers and sellers of paint cans. (this is controversial, because government say they only encourage illegal painting/vandalism and cause costs to clean up cities)
December 28, 2011, 05:16AM
I love the serial nature of how this idea was shared, especially when Art Basel is often what gets attention in Miami. The visual component is so imperative when explaining large-scale work like this. The organization Storytellers for Good (http://storytellersforgood.com/) similarly captures complex stories in a really engaging way--take a look.

Glad you shared this Jenny!
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